"This approach tries to address the problematic of national representation in an art context – being neither able to represent a country nor willing to do so – and to name it further. Thus, it was not only an already established big national artist, Thomann, (whose name and biography links 'Austrian art history' with all progressive avant-garde moments of art, leftist politics and pop since the 1960s), but also the artistic-creative offspring/reservoir of a country: the location factor 'art.'"